Enjoy an underpainting done by a student of mine on the left bank of the French Broad river in Asheville.

Painting with oils on paper is a long-standing practice which deserves to be better known.  It’s cheap, and since you prepare it yourself, you can make it in bulk and cut it to any required size.  It’s great for learning how paint feels at the other end of your brush.

Drawing a scene before painting it builds acquaintance with the scene and confidence in yourself.  And drawing it with a reed pen forces you to think about mark-making and to solve problems in general ways.  A reed pen is clunky at first, but that’s what it takes to keep you from getting lost in details.

Reed pens and different inks

She kept the drawing nearby while she painted.  This has many advantages over working from photographs.  Rather than paint what a device records, you can paint what you see and check it by what you’ve learned.  And because she did an underpainting, she was free later, as she said, “to enjoy the light without worrying about where stuff is.”

Here it is the underpainting in raw umber with a bit of overpainted sky peeking through a thinning late September canopy.

Notice how much work that raw umber layer is doing: values, placement, edges, modelling, and more.

An ink drawing leaning against the tree.

We’re doing it again.  A graphic invitation below; this week, some previews and teases.

Of Time and the River RSVP invitation Plein Air artists interpret the French Broad River RiverLink invites you to a private showing of this artistic inspiration and exclusive sale of the works. On October 15th from 6 to 9pm at Sol’s Reprieve Sol’s Reprieve is located at 11 Richland Street at the corner of Craven St and Waynesville Ave, across from the New Belgium Brewery (map). Ticket sales and Art sale proceeds benefit RiverLink Ledges, John Mac Kah Come view the historic art & artifacts of the French Broad River. Featuring the artwork of: John Mac Kah, Christine Enochs, Paul Blankinship, Mark Henry, Matthew Good, Jason Rafferty, Roger Nelson, Robert Johnson, Nicholas Raynolds, Julyan Davis, John Dempsey, Caleb Clark, Dana Irwin, Deborah Squier, Luke Allsbrook, Skip Rohde, Alisa Lumbreras, Bryan Koontz and Forrest Hogestad Find out more about this fine group of artists here. Heavy hors d’oeuvres donated by Whole Foods Market. Refreshments by New Belgium Brewing Co and Biltmore Wine. Venue provided by Sol’s Reprieve. TICKET PRICES RiverLink members ticket pricing – $50 individual / $100 per couple Non member ticket pricing – $65 individual / $130 per couple Not sure if you are a member of RiverLink? Contact Melinda at 828-252-8474 ext 10or melinda@riverlink.org Buy your tickets now for this exclusive preview event RiverLink promotes the environmental and economic vitality of the French Broad River and its watershed as a place to live, learn, work and play. RiverLink 170 Lyman Street Asheville, North Carolina 28801 828-252-8474

I’m pleased to hang 18 pictures alongside the works of Christine Enochs and John Mac Kah at Chiesa Restaurant on Montford Avenue in Asheville, NC. Show opens Tuesday the 28th. Thanks to Dana Irwin, who has made us look good. I’m looking forward to seeing the work of my colleagues that doesn’t treat the French Broad River.  All four of us will show work on that theme on October 15 at the second annual Of Time and the River.  

It’s often fun to take more than one medium in the field.

Oak at The Coggins Farm

Another stint at The Coggins Farm allowed for three more layers of paint to the painting begun in my last post.  Oil on paper is the stuff.

It also allowed for a pastel sketch, below.  For this sketch, I chose a cold-pressed watercolor paper sized it with hide glue to which I added fine rutile clay.  It feels good to build with different media onto a scaffold of a few basic natural materials.  From the Middle Ages to Manet (as good a pastellist as the more famous Degas), most artists could look under the hood of most art and discern an accurate parts list.

Pastel sketch

Here’s hoping that pastel, etching, and the other oft-overlooked fine arts get outdoors ahead of bulldozers.  It is often the artist’s function to provide a sustained reflection on fleeting things.

My alma mater scored quite a coup in securing 25 Leonardo da Vinci drawings along with nine by Michelangelo Buonarotti–yes, that’s the Michelangelo.  “Leonardo da Vinci and the Idea of Beauty” runs from February 21 to April 5 at the College of William & Mary in Williamsburg, Va.

Most of the works shown come from the Uffizi in Florence, and a few from the Biblioteca Reale in Milan.  One is a newly discovered Leonardo self-portrait, drawn around the age of 53, accessible for the first time in the US.

Since I’ll see the exhibit on the 28th, I’ll miss “The Pathless Woods” opening at Alchemy Fine Art in Asheville on the 27th. Check out Alchemy’s site, and see what a special place it is.  On its event page, you’ll notice a twice-weekly figure drawing session, where local artists gather and do what Leonardo and Michelangelo did.

Namely this:

Figure studies in red sanguine chalk on paper prepared for traditional gesso.

The show to benefit the Asheville Humane Society opens February 27th at 5:30.  Alchemy Fine Art is at 25 Rankin St. in Asheville.

Chickens.  Oil on panel.  8 x 12″

http://alchemyfineart.net/openings-events/2015/2/19/the-pathless-woods